![]() One notable tile told readers, “You must make and glue tiles…You as media is”. The Message Spreads: Everywhere, the 2000sīy 2011, amateur Toynbee Tile enthusiasts had found tiles in Cleveland, Cincinnati, Pittsburgh, and St. Soon, the Toynbee Tiles would be everywhere, jealously sought out by self-ordained experts and journalists alike. Some of Hiaasen’s sources reported seeing the tiles in other cities, including Washington, D.C., and New York City. Hiaasen’s report is the first to count the tiles, of which there were at least seven in Baltimore at that time ( later reporting uncovered more than a dozen). 19, 1994, piece headlined “ The word on the street turns cryptic.“ ![]() The first news account of the phenomenon comes from The Baltimore Sun, whose reporter Rob Hiaasen covered the story, beginning with an Oct. The Toynbee Tiles quietly spread throughout Philadelphia and beyond. The question remains: Who was spreading them through DIY street work? And how? The Media Catches On: Baltimore, the 1990s So the ideas behind the Tiles were out there. The psychedelic final scenes of Kubrick’s 2001: A Space Odyssey depict this arcane process, Morasco said. Morasco went on to say that he had this revelation while reading Toynbee. Morasco told DeLeon, as the latter reports, that “the planet Jupiter would be colonized by bringing all the people on Earth who had ever died back to life and then changing Jupiter’s atmosphere to allow them to live.” His entry for March 13, 1983, bore the headline, “ Theories: Wanna Run That by Me Again?“ĭeLeon described a phone call from a man who called himself James Morasco, a social worker. In those days, Clark DeLeon wrote a column for the Philadelphia Inquirer. Mamet later said that he invented the caller’s particular brand of fantasy, but the story has a lot in common with an actual phone call delivered to an actual Philadelphia journalist earlier that year. The caller believes he’s found a connection between British historian Arnold Toynbee, Stanley Kubrick’s 2001: A Space Odyssey, and a developing plan to populate planet Jupiter with Earth’s dead. The show tells the story of a nighttime talk radio host who fields a bizarre phone call. In 1983, playwright David Mamet published a one-act play titled 4 A.M. It looks like gibberish-until you consider that related concepts were surfacing in the art and media worlds around the same time. The tiles contained a message, usually the same message, with minor variations: The plaques were roughly the size of a license plate and made of layered linoleum and asphalt crack filler. Sometime in the 1980s, Philadelphia pedestrians started to notice strange colored squares embedded in their streets. Origins and First Sightings: Philadelphia, the 1980s If you’re looking for answers, sorry: you’ll only find more questions here. What was so valuable that someone would risk such a public act of thievery? For that matter, what kind of artist chooses the city street for a canvas? Finally, after some work, the criminal disappeared into the crowds of night with the prize in hand (or into the crowds of day-no one knows, and the culprit is still on the loose). The thief gouged at the asphalt with a putty knife. This new, definitive April Fools will be released on digital, CD, cassette and vinyl.At an unknown hour of an unknown day in the summer of 2009, an art thief knelt at the intersection of Sixth and Olive streets in downtown St. This remix is a breathtaking upgrade that heightens the immersive experience of the album. The album has been remixed from the ground up and newly mastered by genius producer Angel Marcloid, best known for her acclaimed experimental newage-jazz-metal project Fire-Toolz. Spawning multiple successful singles such as "Icicles," "Catabolic Seed" and "Apple Pie," the album catapulted The Scary Jokes into a new stratosphere of popularity at currently ~230,000 monthly listeners on Spotify.ĥ years later, Needlejuice Records is proud to present Liz Lehman's masterpiece in a whole new light. Both deeply personal and overwhelmingly relatable, April Fools is a portrait of unrequited love, self-destruction and resilience painted so vividly that it had no choice but to become a viral sensation. Lehman's lyrics and melodies were the foundation for an ambitiously arranged 8-bit psychedelic wonderland, rendered as a seamless album experience. What nobody was prepared for was the spectacular overarching creative vision of The Scary Jokes' sophomore album, April Fools. Their synthpop project The Scary Jokes had earned a cultlike following on Tumblr, fueled by a stream of early demos that showcased Lehman's penchant for introspective, unabashedly queer, technicolor lyricism delivered via unforgettable earworm melodies. In 2016, singer-songwriter Liz Lehman could hardly foresee that they were about to drop one of the most beloved albums of the '10s.
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